Québécoise director Julian Roffman's 1961 b&w horror The Mask, his final feature, follows the downward spiral of a psychiatrist (soap opera star Paul Stevens) who inherits an ancient Aztec mask that drives its wearer to mayhem and murder. The mostly 2-D film includes surreal segments of kitschy 3-D imagery whenever the psyched-up shrink dons the mask. Also with Anne Collings from Roffman's The Bloody Brood (1959).